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Review: Acoustic journal is the UK's in simple terms journal for Acoustic Guitars & avid gamers - Interviews with artists, equipment exams and studies & professional columns from revered acoustic avid gamers resembling Martin Taylor, Martin Simpson, Gordon Giltrap, Doyle Dykes, Martin Barre of Jethro Tull status. in case you play acoustic guitar, then this is often the journal for you

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Extra resources for Acoustic [UK] (June 2016)

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Paul Tebbutt, the founder of Pilgrim, had already built a solid reputation for his company before JHS got involved. And, most pertinently, Paul Tebbutt is still very much at the helm ensuring that Pilgrim’s hard-earned reputation remains. Tebbutt started out playing guitar and banjo in the folk clubs of the 1960s and his interest in music soon led him to repairing, setting up, and selling stringed instruments. As his business evolved he began commissioning luthiers from around the UK to make guitars, mandolins and banjos for his newly founded Pilgrim brand.

In 2015, Eggle’s eye was caught by a particularly pretty slice of walnut. It was the right cut, clean, well-seasoned and, most importantly, stable. Only enough for a single guitar, the said selection was duly purchased and has been used for the parlour on test. Straight out of the snuggly fitting Faithbranded, four-clasp (one lockable) luxury hardcase, this parlour is a particularly striking guitar. The deep, textured grain is stunning, and it’s easy to see why this selection of walnut caught Eggle’s eye.

The mahogany one is probably the least satisfying, not because it’s in any way a bad instrument, but because in comparison with the others it sounds a little one-dimensional. It has warmth, it has a good treble, and if it’s the first one I pick up after a break I feel I could quite happily play it for the rest of the evening, but once I try the others I realise its tonal palette is restricted by comparison. I’m immediately seduced by the rosewood model’s fruity depth of tone down the bottom end.

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